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Cecil Williamson (18 September 1909 – 9 December 1999) was a British screenwriter, editor and film director and influential English . He was the founder of both the Witchcraft Research Center which was a part of MI6's war against , and the Museum of Witchcraft. He was a friend of both , who was the founder of , and also of the notorious occultist .


Biography

Early life
Williamson was born in , , England. The Museum of Witchcraft, page 2 His father was a senior officer in the and was posted abroad. He claimed he first encountered witchcraft in 1916, when, on a visit to , also in Devon, to visit his uncle, a local , he supposedly saw a woman being publicly beaten and accused of being a witch. Williamson claimed he tried to defend the woman, and in doing so befriended her.

In 1921, whilst at the boarding school , Williamson was bullied, but he claimed got help from a woman who lived on the school grounds, who was also a witch. She showed him how to cast a spell on the bully, who soon after broke his leg in a skiing accident and stopped bullying Cecil.

During Summer holidays, Williamson often went to visit in France with his grandmother and her friend Mona Mackenzie. Mackenzie was a , and she taught Williamson about .


Life in Rhodesia
After studying in college, Williamson travelled to (modern ) to grow , where his servant, Zandonda, taught him about .


Life in Britain
In 1930, Williamson returned to Britain and moved to London, where he began working as a production assistant at several film studios. As a hobby, he continued to investigate the , beginning to collect objects and became an acquaintance of , and .

In 1933, he married Gwen Wilcox, a make-up artist, and niece of film director .


World War II
In 1938, MI6 hired Williamson to investigate the ' interests, and in doing so he formed the Witchcraft Research Center. An April 1944 news report, while not mentioning the Witchcraft Research Center nor Williamson, reflects their area of expertise in claiming Goebbels was going to 'harness fortune telling, astrology, and necromancy to his propaganda machine'.


Gardner and the Museum
In 1946, Williamson met in the Atlantis Bookshop in London at a talk which Gardner was giving. The two became friends largely due to their mutual interest in the theory of the .

In 1947, Williamson tried to open a museum about witchcraft in Stratford-on-Avon, but was forced to change his plans after local opposition. In 1948, Williamson bought a dilapidated windmill at Castletown on the Isle of Man. He turned it into the Folklore Center of Superstition and Witchcraft, and opened it in 1949, along with an adjacent restaurant, the Witches' Kitchen.

Williamson employed Gardner to be the 'resident witch' at the museum, which had been renamed the Museum of Magic and Witchcraft after the repeal of the Witchcraft Act 1735 in 1951. However, Williamson and Gardner's relationship began to fall apart, and Williamson wanted to return to England. So in 1952 he sold the museum to Gardner, and moved all his artefacts to a new site, in Windsor, renaming it the Museum of Witchcraft. Gardner, using his own artefact collection, continued to run the museum on the Isle of Man for the rest of his life.

At Windsor, Williamson's museum remained open for a year, and was quite successful, but was again forced out due to local opposition. In 1954 he therefore moved the museum to Bourton-on-the-Water in . Here, the museum was damaged in an arson attack, and so, in 1960, Williamson moved the museum to in , where it remains to this day.


Final years
At midnight on 31 October 1996, Williamson sold the museum to Graham King. Williamson retained some of his artefacts (but none that were on display in the museum) at his home in Witheridge, a small village near to Tiverton in . After his death in 1999 much of his private collection was acquired by the museum.


Selected filmography
Director

Editor

  • Up for the Derby (1933)
  • Girls, Please! (1934)
  • The Way of Youth (1934)
  • The Village Squire (1935)
  • Troubled Waters (1936)
  • Blind Man's Bluff (1936)
  • The Minstrel Boy (1937)
  • The Mill on the Floss (1937)
  • Jailbirds (1940)
  • Three Silent Men (1940)
  • Old Mother Riley in Paris (1942)


External links

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